DECOLONIAL DANCE

Fronterizas

I decided to make the piece of my life because I don't know how to lose — a trait inherited from my mother — incorporating a Tudanca cow in a tutu and family VHS footage as choreographic material. This personal work, which avoids the label of "modern," represents the peak of my career, not a beginning.
Year: 2019
Performance and direction: Mari Paula
Performance and sound project: Jaime Peña - JPEGr
Performance and lighting project: Carlos Molina - LumiereScene

Synopsis

Fronterizas is the third work in Mari Paula’s anthropophagic research. The final staging of a trilogy — Retrópica in 2017, Devórate in 2019 and Fronterizas in 2022 — that approaches the body as an anthropophagic and migrant experimentation.

Fronterizas is also an interdisciplinary action that connects Mari Paula’s lived experience with dance, with Carlos Molina’s lighting technologies, and with Jaime Peña’s sound technologies.

An autofictional work addressing themes such as struggle, exhaustion and the acceptance of failure. With a non-linear narrative structure, Fronterizas glimpses a future built from the broken fragments of the past. Its dramaturgical construction breaks with armour, with language, and with the performer’s body. A decolonial work, not because of its discourse, but because it stages a transworldly body that seeks to destabilise the logics of production.

 

Artistic Team

Performance and direction: Mari Paula
Performance and sound project: Jaime Peña (JPEGr)
Performance and lighting project: Carlos Molina (LumiereScene)
Dramaturgical collaboration: Luz Arcas, Aitana Cordero and Gustavo Bitencourt
Outside eye: Lívia Delgado
Alter ego: Pablo Venero
Stage design: Luis Crespo
Video: Ricardo Kenji
Visual identity: Evandro Prado
Photography: Áureo Gómez
Communications: Marta Romero
National distribution and management: Iñaki Díez
Distribution in Brazil: Igor Augustho

Residencies

Project origin: Residency promoted by Centro NAVE (Chile), the Ibero-American Dance Platform (PID), the Chilean Ministry of Culture, and Funarte (Brazil).

Research support: Culture Department of the Government of Cantabria, Casa Hoffmann and Fundação Cultural de Curitiba (Brazil).

Creation residencies: Palacio de Festivales de Cantabria (Santander), Danza en Breve — Teatro Leal (La Laguna, Tenerife), Teatro Pradillo (Madrid), Sala Carme Teatre (Valencia), La Caverna (Málaga), Graner (Barcelona) and Ábrego Teatro (Cantabria).

Creation support: Graner, Espacio La Caverna, Ábrego Teatro, Sala Exlímite and Teatro Pradillo.

Produced by: Mari Paula — Dance & Performance and LAS VIVAS — Ibero-American Dance Platform.

In collaboration with: Carme Teatre, Palacio de Festivales de Cantabria and Danza en Breve — Teatro Leal.

National premiere: Palacio de Festivales de Cantabria.